Frame Five Media, one practice, five disciplines
Build the kit your business actually needs.
Most studios sell you the whole list. Take off the parts you already have covered, the page will rearrange itself around what is left, and the call will start further along than it otherwise would.
Web design
The one surface you own outright. Everything else eventually points at it.
Photography
Your building, your team, your work, in the light they actually live in.
Video
One camera in a room, or coverage with a schedule. Planned, shot and cut in one place.
Graphic design
The things with your name printed on them, built to survive a real printer.
AI Consulting
Where it earns its place in your business, and where it will embarrass you.
All five, the whole practice. Untick anything you already have covered.
01, Web design Set aside
Same page. Different window.
Nothing here is a second design for phones. It is one page, built so the window can be any size and the page still knows what to do.
full widthlakepointclinic.ca
02, Photography Set aside
Shot in the room as it was found.
No set, no rental package, no second day to fix the first. Available light and a call time.
03, Video Set aside
Cut in the same building it was shot in.
Nothing is lost in a handover between three companies, because there is no handover. Press play on any of them.
Sonic Unyon 0:30
Sonic Unyon 0:32
Sonic Unyon 0:30
Sonic Unyon 0:30
Demarquéz-Vous 1:00
Frame Five Media 0:58
Honey Jam 1:00
Sonic Unyon 1:00
Moving image coordinated, created, shot, directed, designed and/or edited by Frame Five Media.
04, Graphic design Set aside
Design, photographed in use.
A mock-up proves a file opens. These are the same files after they were printed, hung, wrapped and stood next to.
Multi-year Reader’s Choice Award winner in Graphic Design, St. Catharines Standard.
Bring any plate to the front.
05, AI Consulting Set aside
Most of this job is saying no.
Set up on your own tools, by somebody who has to live with the output and will put in writing what should not carry your name.
Generate the photographs for our website?
No. A generated room is a room your customer will not recognise when they walk into it, and the gap between the two is the thing that costs you the sale. Photograph the real one.
Write the first pass of thirty product descriptions?
Yes, as a first pass, on your own account, with your own words as the source, and read by a person before any of it ships. That is a real day saved.
Answer customers without telling them?
No. Not a taste question: if it can be mistaken for a person, it has to say it is not one.
Transcribe a ninety-minute interview and pull the quotes?
Yes, and it is the least controversial hour of the week. Nobody is buying the transcript; they are buying the edit it makes possible.
How it goes
Four steps, and you can see the end of it from here.
The fit call
Twenty-five minutes. Three questions first, so nobody spends the call finding out it was never a fit. It ends one of three ways, a proposal, a paid audit as the next step, or a clean “not a fit, here’s who is.”
A written scope
What is in it, what is not, and what it depends on from your side. Nobody starts on a verbal.
The work
You see it while it is happening rather than at the end, because a first look on delivery day is how a project becomes an argument.
Handover
Files, logins and the source. Yours, in formats you can open without us, and the same person still answers afterwards.
Last question
Which one of these is you right now?
Pick one and the booking form opens with it already answered, and with your kit attached. It is not a commitment, it decides where the call starts, not what it costs.
- Launch or rebrand a businessNothing exists yet, or what exists is not it.
- Rebuild what is already thereIt works. It just does not look like the business anymore.
- Keep content coming every monthThe making never stops and nobody owns it.
- One project, shoot, film or identityA date, a deliverable, a clean end.
Twenty-five minutes. Three questions first, so nobody wastes a call.
Your kit
Book a fit call