Moving image, credits
Motion
Coverage of the night. The reel that sells the room. The video built round the track, the press kit that gets sent, the segment that carries a story. Planned, shot and cut by the people who were in the room, which is why the cut knows what mattered.
17 pieces for 6 clients are below, and 17 of them play here, press one and it opens in place. Behind each is the file it was cut from, in most cases a broadcast-weight delivery master; the cuts served here are made for a phone, not for a grade.
A note on the credits below. The source these are drawn from records the whole body of work as “coordinated, created, shot, directed, designed and/or edited by” the same operator, one line covering all of it. It does not say which piece was which, so nothing here claims a specific role on any single title.
D.O
05 piecesD.O, electronic press kit
3:04Web cut
Black Canadian History 365, Lincoln Alexander
1:34Web cut
Black Music 365
3:49Web cut
Change the World
4:13Web cut
Made It Moment
3:01Web cut
Sonic Unyon
06 piecesBecause Beer, 1 of 3
0:30Web cut
Because Beer, 2 of 3
0:30Web cut
Because Beer, 3 of 3
0:30Web cut
Supercrawl, 30-second spot
0:32Web cut
Mills Hardware, venue reel
1:00Web cut
Bridgeworks, venue reel 2.0
1:00Web cut
EnZone Experience
01 pieceEnZone Experience, Tim Horton’s Field
1:00Web cut
Academia BJJ
01 pieceAcademia BJJ, reel
1:00Web cut
Demarquéz-Vous
01 pieceDemarquéz-Vous, reel
1:00Web cut
Honey Jam
01 pieceStraight Shootin’: Honey Jam
1:00Web cut
Maybe Might Matter
The studio’s own01 pieceMaybe Might Matter, the exhibition
1:54Web cut
Frame Five Media
The studio’s own01 pieceBehind the shoot, lakeside portraits
0:58Web cut

















